I recently posted about Ansel Adams in my own Beauty Dialogues blog, focusing on his photographic art and creative philosophy.
But Ansel Adams was more than "just" an photographer, or even "just" an artist.
Ansel Adams came to the height of his photographic career during the Great
Depression, and he was often asked "What's the use of making beautiful
images when the world is falling apart?" Adams' love of beauty was not
devoid of social and political concern, and the question stimulated him to him
articulate his sense of what was important, beyond the social and
economic tragedies of the day. Nature was fundamental, he felt, and
despite the permutations of the present,
"There is a deeper thing to express. The return of
humanity to some sort of balanced awareness of the natural things. Some
rocks and sky. We need a little earth to stand on and feel run through
our fingers. Perhaps photography can do this."
Adams' photography was a glittering display of the numinous, but it
also gave him a powerful platform from which to stand as an activist
and conservationist. Because of the beauty of his art and his renown as an artist and spokesman Adams was
eventually successful in lobbying Washington to designate great
quantities of California's Yosemite Valley as a protected wilderness.
His art and what he was able to do with it remains an inspiration to me, as I'm sure it does to so many other lovers of the natural world. I constantly strive to bring some of that love forward with my own photography, and am very grateful for his example.
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